Going to the Ridge was a one-screen double-bill trip. The popcorn dripped with butter, and the concession stand’s most famous offering was Nanaimo bars from The Lazy Gourmet, owned by Susan Mendelsen and her then-partner, Deborah Roitberg. Susan started selling the bars to pay her way through a social work degree. Since then, The Lazy Gourmet has celebrated over 40 years of catering in Vancouver. Susan’s first book, Mama Never cooked Like This, was a joyful celebration, including Nanaimo bars. Susan included the recipe in her Expo 1986 cookbook as well, sealing its fate as a Canadian classic.
The Nanaimo bar, a 70-year-old Canadian dainty, has cracked the bastion of “old-money” food, the New York Times food pages. In 2019, writer Sara Bonisteel called it “a geological cross section… Its base is sedimentary…[with] a buttery silt… yellow buttercream… on the brink of liquefaction. And its top crust of chocolate… thaws like the Arctic tundra.”
Prairie cooks had a similar sweet, also called “London Smog,” that appeared on dainty trays at midnight suppers and wedding lunches. Prairie cookbook author Jean Paré included Nanaimo bars in the first book of her long-running Company’s Coming series, 150 Delicious Squares. From Drumheller to Nova Scotia, the Nanaimo bar appeared under pseudonyms like Mabel’s Squares and Victoria Specials in cookbooks and on home tables.
“Prairie cookbook author Jean Paré included Nanaimo bars in the first book of her long-running Company’s Coming series, 150 Delicious Squares.”
“Bread & Water is an emotionally arresting, beautifully written series of essays.”
~ Jurors’ Citation, Saskatchewan Book Awards, University of Saskatchewan President’s Office Nonfiction Award
“Food is a wonderful agent for storytelling... and Bread & Water demonstrates this brilliantly.”
~ Sarah Ramsey, starred review, Quill & Quire
“[Bread & Water is] An amazing feast... riveting... eloquent.”
~ Patricia D. Robertson, Winnipeg Free Press
“[Bread & Water is a] sensuous experience; she brings her poet’s eye and ear to everything within her purview.”
~ Professor emerita Kathleen Wall, Blue Duets
“A deep love of the art of cooking that includes the language of fine dining (cassoulet, confit) even if the lamb was raised in Olds and she picked the rhubarb herself... she impressively manages this collision of worlds with a wholesome, approachable style.”
~ Megan Clark, Alberta Views
“These finely focussed poems [in Wildness Rushing In] invite us into a sensuous and emotionally rich landscape.”
~ Don McKay, winner of the Griffin Poetry Prize
“The writing [in Wildness Rushing In] is honed and textured, the senses so alive that you can practically taste the language. There are moments of brilliance rare in a first book.”
~ Jurors’ Citation, Saskatchewan Book Awards
“dee Hobsbawn-Smith’s stories [in What Can’t Be Undone] are written with a poetic edge. Her descriptions, particularly western landscapes, are often luxurious, lending themselves a kind of nuanced impression, a delicate fingerprint on the reader’s mind. "
~ Lee Kvern, Alberta Views
“[Foodshed is] A rich encyclopedia of facts, farm-gate lore and original recipes... a politically engaging narrative in which Hobsbawn-Smith articulates the challenges and joys faced by small-scale producers... don’ t let the alphabet theme fool you. This is no tame nursery rhyme; it is a locavore call to arms.”
~ P.D. Robertson, The Globe & Mail