The Kitchen Shelf
If you are feeding your dog and counting calories on Fido’s behalf, you may wish to roast a separate pan of vegetables without oil or onions/garlic for your mutt. Regardless of who will eat this, cut everything into similar sizes to ensure even cooking.
This “oven-queen’s special” minimizes splatter and mess while producing a sauce bursting with fresh tomato flavour. One “quarter sheet” baking pan (about 13” x 18”) makes 6-8 cups of sauce. For Tomato and Lovage Soup, sauté minced lovage and add to the sauce, thinning with stock as needed. Vary endlessly.
This beautifully balanced dish relies on the extra fat from the mayo and the sweet-tart vinegar to enhance wild sockeye salmon’s richness. If you don’t have umeboshi plum vinegar, substitute Japanese-style rice vinegar or apple cider vinegar mixed with a bit of melted honey. Thanks to my friend Dorothy for sharing.
Rhubarb is nicknamed “pie plant.” The first fruit to emerge from the spring garden, it is the ideal tonic for palates jaded by winter, and it’s incredibly prolific. Turn some of last year’s rhubarb from the freezer into a syrup to serve in sparkling water as a refreshing shrub, and use the last frozen packages – or the new season’s, if you can wait that long – to make this pie. It’s even better than my Gram Smith’s.
Chinese char siu is pork roasted with a tangy, often-sweet sauce. The Japanese version is pork belly too, braised or roasted. Why pork belly? Fat content, which translates into lusciousness in eating. Use this braised version in your own “spaghetti eastern” bowls of ramen.
When I make pastry to top savoury dishes like stew, I sometimes use equal parts of butter and good lard. For sweet dishes like fruit, I use all butter all the time.
dee’s Writing Life
War contributes to the transportation and appropriation of goods around the globe. For instance, tomatoes were among the plants and animals that ended up in Europe in the unequal exchange of goods, disease, slavery, land theft, and genocide between New World and Old, beginning in 1492 and culminating in1650, called the Columbian Exchange. This event led to the emergence of some remarkable Mediterranean dishes, many centering on the tomato, and making them among the world’s most popular fruit for home gardeners like me. My tomato-growing is bittersweet, knowing the history of the plants.
When I told her I thought I was a changeling, my mom laughed out loud. “With those eyes? Those cheeks? That chin? You are the spitting image of your aunt Lila.”
I lived in Vancouver in my twenties. Yaletown didn’t exist yet, other than as hulking rows of empty warehouses to be bicycled past quickly. Granville Island was an industrial wasteland, the Fairview Slopes didn’t, and False Creek was still a reclamation project. Elsewhere in town, the Ridge Theatre became known as the city’s repertory theatre, home to second run and art-house films. It showed midnight screenings of The Rocky Horror Picture Show, classics like Casablanca, and weeks-long series by Kurosawa and Hitchcock.
In 1923, Jirys Ya’qūb Sallūm kissed his wife and young sons goodbye in the town of Qar’awn, located in the Biqa’ Valley, in the French protectorate of Lebanon and Syria. Speaking only Arabic, he traveled to Canada to work for a relative who had a farm in southwestern Saskatchewan. He wanted a safer home for his family than the Middle East, turbulent in the wake of the First World War. His region had been occupied by the Turks of the Ottoman Empire, then by the French, and it seemed to him that Canada was a long way from this strife.
I’m standing in my auntie’s orchard on a mild afternoon, the temperature about 18 C. In Canada, it’s deep winter, but here in California, the citrus trees have bloomed, and the fruit is ripe.
We arrived for a preliminary visit at the farm in June 2010, a month ahead of our move-in date. Over-anxious? Eager? Yes, both, but mostly we came early to help my aging parents move out – into a bungalow in a nearby town – and to paint the old farmhouse we were moving into.
“Bread & Water is an emotionally arresting, beautifully written series of essays.”
~ Jurors’ Citation, Saskatchewan Book Awards, University of Saskatchewan President’s Office Nonfiction Award
“Food is a wonderful agent for storytelling... and Bread & Water demonstrates this brilliantly.”
~ Sarah Ramsey, starred review, Quill & Quire
“[Bread & Water is] An amazing feast... riveting... eloquent.”
~ Patricia D. Robertson, Winnipeg Free Press
“[Bread & Water is a] sensuous experience; she brings her poet’s eye and ear to everything within her purview.”
~ Professor emerita Kathleen Wall, Blue Duets
“A deep love of the art of cooking that includes the language of fine dining (cassoulet, confit) even if the lamb was raised in Olds and she picked the rhubarb herself... she impressively manages this collision of worlds with a wholesome, approachable style.”
~ Megan Clark, Alberta Views
“These finely focussed poems [in Wildness Rushing In] invite us into a sensuous and emotionally rich landscape.”
~ Don McKay, winner of the Griffin Poetry Prize
“The writing [in Wildness Rushing In] is honed and textured, the senses so alive that you can practically taste the language. There are moments of brilliance rare in a first book.”
~ Jurors’ Citation, Saskatchewan Book Awards
“dee Hobsbawn-Smith’s stories [in What Can’t Be Undone] are written with a poetic edge. Her descriptions, particularly western landscapes, are often luxurious, lending themselves a kind of nuanced impression, a delicate fingerprint on the reader’s mind. "
~ Lee Kvern, Alberta Views
“[Foodshed is] A rich encyclopedia of facts, farm-gate lore and original recipes... a politically engaging narrative in which Hobsbawn-Smith articulates the challenges and joys faced by small-scale producers... don’ t let the alphabet theme fool you. This is no tame nursery rhyme; it is a locavore call to arms.”
~ P.D. Robertson, The Globe & Mail